The Globe and Mail — April 2025
'Expertise is disappearing': How Canadian film archives are fighting to save nearly forgotten culture
words by eric veillette
When the Cinémathèque Québécoise in Montreal was offered the video archives of Québécois television channel Musique Plus, Nicolas Dulac and his acquisitions team reluctantly turned it down.
On offer were tens of thousands of magnetic videocassettes of shows aired from 1986 to 2019: CD review segments, in-studio band performances and thousands of music videos among them. Critics called the decision to not take the material elitist, alleging the Cinémathèque deemed the content too popular or low-brow. But that was not the case, Dulac says. They simply could not handle a collection that large.
“We would love to preserve everything, all of cinema, all of television made in Quebec,” he says. It was turned down for pragmatic reasons: costs, resources and space – concerns for any film archive.
Founded in 1963, the Cinémathèque’s storage facility in Boucherville, Que., is nearly at capacity, housing more than 480,000 items, over 70,000 of which are film and video elements. It is one of several Canadian institutions dedicated to preserving and providing access to Canada and Quebec‘s film heritage, alongside TIFF’s Film Reference Library, Library and Archives Canada, the National Film Board of Canada, the University of Toronto‘s Media Commons and others.
The preservation of Canada’s audio-visual history relies on these archives, but those who run them say they are struggling with a lack of funding, resources and postsecondary programs to bring in new archivists.
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